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Kristopher Gage Andrew Glenny Craig Taylor ▶ Support the channel and get early access to these videos I am using headphones for the sake of the video. It’s best to mix with monitors so that you can hear the tonal balance and stereo width correctly. The most important detail is to keep using your ears – not your eyes- to mix. This is where you can use saturation (try fruity waveshaper), delay (Fruity Delay 3) or other artistic effects to add character, life and vibe to your song. In this example, I used high pass filters to remove excess low end from sounds that should be more mid/treble focused.ģ)Adding artistic effects – In this case, a lot of reverb was used but this is not necessary on a lot of sources. This helps you start in a strong position and address any issues in the arrangement and songwriting which might be lacking.Ģ)Cleaning up the sounds so that they are separated and clear. I break the process down into 3 simple steps for beginners –ġ)Setting the volumes to get a static mix. Mixing can take a lifetime to perfect, but the basics can be understood very quickly. With the help of Will you will learn all the pro techniques in 16 coherent and easy-to-follow modules.Mixing is an important part of the production process, it can help your song become clear, deep and professional sounding. But this course will save you the time and effort to search the internet for quality, in-depth explanations that don't just cover the same boring basics that you already heard of but don't know how to actually implement in your next song. You may be thinking to yourself that you will learn all these things from free tutorials online. In the included lessons you will learn how to find the balance between saturation, compression and limiting in order to get a loud mix that isn't clipping or distorting. You listen to your track in comparison to others but you find that yours is way quieter and maybe not loud enough to compete with everybody else's. This course will teach you proper EQing and panning techniques to improve the clarity of the melodic elements in your track. Perhaps your instruments are sitting in the same frequency band or getting muddy due to lack of stereo field in your mix. Maybe your beat isn't quite danceable, because the awesome bassline you have designed isn't side-chained properly and the kick cannot provide the impact your track needs. You realised your own unique vision of the song, created sick basslines and thought your tune had a good flow but it doesn't receive the attention you were hoping for. Picture this, you made an incredible track that you are genuinely proud of.
In this course we will tackle all the problems during mixing and mastering, you might not know that you are facing.
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